Artistic Arsenals 5: Priceless Prints & Reproductions: Printmaking from Dürer to Serra

A recording of a a lecture presented by Dr. Micah Christensen (PhD, History of Art, University College London) at the Beaux-Arts Academy on a general history and development of European and Japanese print technology from the 15th to 20th centuries.

Lecture Bibliography

• Freyda Spira with Peter Parshall. The Power of Prints: The Legacy of William M. Ivins and A. Hyatt Mayor. (New Haven & London: Yale University Press, 2016)

• Ad Stijnman. Engraving and Etching 1400-2000: A History of the Development of Manual Intaglio Printmaking Processes (London: Archetype Publications, 2012)

• Susan Dackerman, ed. Prints and the Pursuit of Knowledge in Early Modern Europe (New Haven & London: Yale University Press, 2011)

• Anthony Griffiths. Prints and Printmaking: An introduction to the history and techniques (London: British Museum Press, 1996, ed.)

• William M. Ivins, Jr. How Prints Look: Photographs with Commentary (Boston: Beacon Press, 1987, ed.)

• Art for All: The Colour Woodcut in Vienna around 1900 (Rome: Taschen, 2017)

• Fleur Roos Rosa de Carvalho & Marije Vllekoop. Printmaking in Paris: The Rage for prints at the fin de siècle. (New Haven and London: Yale University Press, 2013)

• Michael Phillips. William Blake: Apprentice & Master. (Oxford: Ashmolean Museum Press, 2014)

• Timothy Clark, ed. Hokusai: Beyond the Great Wave (London: British Museum Press, 2017)

• Ernst Van de Wetering. Rembrandt: The Painter Thinking (Los Angeles: University of California Press, 2016)